Italian Song Night with Una Come Me Concert

The old Italy of television returns for one lively night. Italian Song Night with Una Come Me brings Vera Dragone and eight other performers together for a polished two-hour show built around the music, costumes, and variety-show spirit of 1960s Italian television. I like the live band and dance troupe, and I also like that your ticket includes a table and dinner rather than only a seat in a theater. The main caution is the set-menu quality, which may not match the entertainment.

You enter from 8:00PM, dinner begins from 8:30PM, and the performance starts sometime between 9:30PM and 10:00PM. That makes this a late evening by Italian standards, so you should plan on giving the whole night to it. Drinks cost extra, but the club offers original cocktails prepared by its bartending team.

Key points at a glance

• Nine performers on stage: Vera Dragone appears with dancers, a singer, and a live band.
• 1960s television style: The production takes its cues from classic Italian variety shows, especially Milleluci.
• Dinner included: Your ticket includes a table and a meal of traditional Mediterranean dishes.
• Burlesque with a classic Italian flavor: The performance adds elegant, sensual numbers rather than treating burlesque as a separate sideshow.
• Late evening schedule: Entry begins at 8:00PM, dinner from 8:30PM, and the show begins between 9:30PM and 10:00PM.
• Small-group setting: Attendance is limited to 10 participants, with Italian and English support.

A 1960s Italian television show brought to the stage

The central idea is simple and appealing: take the look and sound of Italy’s great television variety programs from the 1960s and recreate them for a live audience. The show takes its name from Una Come Me, a famous song by Lelio Luttazzi, and uses the era’s large ensemble numbers as its main reference point.

That period was built for shared entertainment. Singers, dancers, orchestras, comic turns, glamorous costumes, and carefully arranged stage pictures all appeared in the same program. This production follows that format rather than presenting a single singer with a backing track.

You can expect a mix of singing and dancing, with the live band helping give the music a more immediate feel. The performers draw on the work of major Italian names such as Raffaella Carrà, Milva, Ornella Vanoni, Mina, Lelio Luttazzi, and Jula De Palma. You do not need to know every song to understand the mood, but a little familiarity with Italian popular music will make the references more rewarding.

I especially like the choice to use a full group of performers. A nine-person cast allows the show to shift between solo moments, duets, dance pieces, and larger arrangements. It also gives the production the broad, theatrical feel that television variety programs were known for.

Vera Dragone and the nine-person cast

Vera Dragone is the creative force behind the show, and her presence gives the evening a clear center. The production is not simply a playlist of old songs. It is shaped as a stage event, with Dragone joined by dancers, a singer, and musicians playing live.

The performers create what the description calls a kaleidoscope of styles. That means the evening is likely to move between different moods rather than staying with one musical format. You might find a familiar vocal number followed by a large dance arrangement, then a more intimate performance.

The live band matters here. Older Italian songs can sound flat when played from a recording in the background, but musicians on stage make the rhythm part of the event. You can watch the players as well as hear them, which helps the show feel like a club performance rather than a screen reproduction.

The production also uses burlesque. This is presented as an elegant, sensual element that adds mystery to the show. The stated reference is Sophia Loren’s famous striptease scene set to Abat-Jour in Yesterday, Today and Tomorrow. That comparison tells you more about the tone than a simple label would: expect glamour, theatrical suggestion, and old-school sophistication rather than a crude comedy routine.

Dinner at the Ellington Club from 8:30PM

Your ticket includes a table and dinner, which is one of the experience’s strongest practical features. You do not have to arrange a separate restaurant booking before the show, and dinner forms part of the evening’s rhythm.

Food is described as traditional Mediterranean cuisine. The exact dishes are not specified, so I would not book this primarily as a culinary event. Instead, treat the meal as a convenient dinner served alongside the entertainment.

The meal gives you time to settle in before the music begins. Entry is allowed from 8:00PM, while dinner can be served from 8:30PM. Since the show does not start until between 9:30PM and 10:00PM, you have a useful gap for eating and getting comfortable.

One important qualification is food quality. A four-out-of-five assessment specifically noted that the set-menu quality could be improved. That does not mean the meal is unacceptable, but it does mean your expectations should be sensible. If you are choosing between this and a serious restaurant dinner, the show is the reason to book.

The table arrangement also changes the feel of the evening. You are not only watching from a conventional theater seat. You have a place to eat and drink while the performers create the show around you. That combination suits couples and small groups who want entertainment with dinner, not a formal concert followed by a search for food afterward.

Original cocktails cost extra

Beverages are not included in the ticket price. The club does, however, offer a list of original cocktails made by its bartending team.

That gives you a chance to make the night feel more like a classic supper-club outing, but you should include drinks in your budget. At $54.38 per person, the ticket covers the performance, table, and dinner, not the full evening’s spending.

The cocktails may be a good match for the show’s polished style. Still, the information does not provide prices or a full drinks menu, so I would avoid assuming that a cocktail is part of the package. If you want to keep costs controlled, the included dinner is the main value point and drinks are optional extras.

Timing your evening in Lazio

The schedule is easy to understand, but it is later than some visitors may expect.

• Entry begins at 8:00PM.
• Dinner can be served from 8:30PM.
• The show begins between 9:30PM and 10:00PM.
• Total activity time is two hours.

Because the start time falls within a range, check the available date carefully when you book. Do not plan a tight connection afterward. A show starting at 10:00PM and lasting two hours will finish late, especially if you take time to eat before the performance.

The two-hour length is a good fit for this kind of production. It is long enough to create a full evening but short enough to keep the presentation moving. A variety show needs changes in pace, and a compact running time helps prevent the repeated song-and-dance format from becoming tiring.

I would arrive near the opening time rather than at the last minute. Coming in from 8:00PM gives you time to find your table, look over the drinks options, and arrange dinner before the first performance sections begin.

What the music means if you do not know Italian pop

You do not need a long musical education to enjoy the concept. The show is built around sound, movement, costumes, and stage energy, so the appeal is not limited to people who can name every singer.

Still, knowing a few names helps. Raffaella Carrà is associated with high-energy television performance, Mina with powerful vocal style, and Ornella Vanoni and Milva with more dramatic interpretations. Lelio Luttazzi connects the show directly to its title and to the polished entertainment culture of the period.

The reference to Milleluci is also useful. It points to a television style in which variety itself was the attraction. You get different performers, changing arrangements, and a sense that the whole stage is in motion.

If you prefer a quiet concert by one artist, this may feel too theatrical. If you enjoy old television, classic European pop, and a program that shifts between song, dance, and burlesque, the format should make sense quickly.

A small group, with Italian and English support

The experience is limited to 10 participants, which is a notably small number. That can make the evening feel more personal than a large theater production, even though the cast itself is substantial.

Italian and English are available from the host or greeter. The performance is still rooted in Italian music and culture, so some lyrics or references may remain in Italian. You can follow the basic structure through the staging even if you do not speak the language fluently.

The smaller attendance limit may also suit people who dislike crowded group activities. You are joining a compact audience for a hosted dinner-and-show format, not a large sightseeing excursion.

The venue is wheelchair accessible, which is important practical information when deciding if the experience fits your needs. The available details do not specify seating arrangements or restroom access, so you should ask the provider for those details if they matter to your planning.

Is $54.38 a fair price?

At $54.38 per person, the value depends on how you divide the ticket in your mind. You are paying for a two-hour live production, a table, and dinner. That is more attractive than a ticket-only price, especially if you already planned to eat out that evening.

The strongest part of the value is the entertainment package. A live band, dance troupe, singer, and burlesque element create a fuller production than a simple music performance. You are also getting a concept with a clear cultural theme rather than a generic dinner show.

The weak point is the meal. Since the set-menu quality has received some criticism, food should not be your main reason for paying the price. I would book this for the stage program, then regard dinner as a useful extra.

Drinks can push the final cost higher. Since beverages are excluded, check your budget before you add cocktails. The club’s original drinks may be tempting, but you are not required to order them to enjoy the show.

Who will enjoy Una Come Me most?

I would recommend this experience to you if you like live music with a strong visual element. It is especially suitable for people curious about classic Italian entertainment, couples looking for a complete night out, and anyone who prefers dinner and a performance in one place.

It also works well for a first taste of Italian popular culture beyond museums and monuments. The show points toward famous singers, television traditions, and a glamorous style of performance that you may not encounter during a standard sightseeing day.

You should think twice if you want a quiet meal, a highly refined menu, or a concert focused on one performer. The program is deliberately varied, and the burlesque material may not suit every audience.

The late schedule matters too. This is not an early dinner activity. You need to be comfortable entering at 8:00PM, eating from 8:30PM, and watching the main show later in the evening.

Booking, cancellation, and useful planning notes

You can reserve now and pay later, which helps if your Lazio plans are still changing. Free cancellation is available up to 24 hours in advance for a full refund.

The host or greeter speaks Italian and English. The group type is small, with a limit of 10 participants, and the venue is wheelchair accessible.

I would check three things before finalizing your reservation: the exact show start time, the dinner details for your date, and the current cocktail prices. Those points will tell you how the evening fits your schedule and budget.

Should you book this Italian song night?

Book it if you want a stylish dinner show built around classic Italian television, live musicians, dance, and elegant burlesque. The live band and nine-person cast give the night more substance than a background-music dinner, while the included table and meal make the price easier to justify.

I would not choose it for the food alone. The set menu may be perfectly serviceable, but it is the performance that carries the experience. For fans of Mina, Raffaella Carrà, old Italian variety shows, or classic stage glamour, this is a fun way to spend a late evening in Lazio.

FAQ

Where does Italian Song Night with Una Come Me take place?

The experience takes place at the Ellington Club in Lazio, Italy.

How long does the experience last?

The listed duration is two hours.

What time can I enter the club?

Entry is allowed from 8:00PM onwards.

When is dinner served?

Dinner can be served from 8:30PM onwards.

When does the show begin?

The show starts at a time between 9:30PM and 10:00PM. Check availability for the exact starting time.

Is dinner included in the ticket?

Yes. The ticket includes a table and dinner featuring traditional Mediterranean dishes.

Are drinks included?

No. Beverages are not included, though the club offers original cocktails prepared by its bartending team.

Is the venue wheelchair accessible?

Yes, the experience is listed as wheelchair accessible.

What languages are available?

The host or greeter offers Italian and English.